A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
The short film, “#Purana Pyaar”, by Gorilla Shorts, starring veteran actors Mohan Agashe and Lillette Dubey, evocatively highlights how age is no bar when it comes to love and desire.
She turns towards me when I speak, and I can feel her eyes thinking over my words, sensitive to any hint of criticism. Her thighs slide against mine, and for a moment we are both distracted by the naked coolness of our bodies. For a moment, we look at each other.
Just like on a misty morning,
we both
sit
without a shred of adornment
on these ancient stepwells
and the call of the hummingbirds
offer us sensations,
imagination,
and our innocence
The responsibilities attached to BDSM are frankly the same as that for any other sex act. But since the submissive partner(s) are placing themselves at a position of vulnerability, these responsibilities mark the difference between sex and abuse. Have fun, but responsibly.
The issue with the ‘Aunty’ body arises from a deeply misogynistic and dehumanising understanding of women. In this imagination the woman, whom the world now addresses as ‘Aunty’, has basically served her purpose of marriage and child bearing, and is hence rendered useless.
People looking for queer plots in Bollywood are sometimes disappointed, as the focus on marriage in many films seems to suggest that Bollywood is a conservative genre invested in sanctifying reproductive heteronormativity.
This question is for the women. Have you ever sat in the ladies compartment of a Bombay local train and cried quietly, oddly comforted by a crowd of unknown women?
People in the city move from their homes to their workplaces and back to their homes. The production of this everyday rhythm of the city makes people accustomed to the sexual overtones that come with it.
People in the city move from their homes to their workplaces and back to their homes. The production of this everyday rhythm of the city makes people accustomed to the sexual overtones that come with it.
Roland Barthes writes in A Lover’s Discourse that we begin to think of ‘love’ as an idea only when our beloved or the object of desire has departed – either when love has failed, or in the absence of the lover – that is absolutely crucial to any theorisation of love.
In Nacher Chhele, a 38 year old Avijit stands outside himself, takes a long look at his past, and writes an intense testimonio, which would resonate with many middle class Bengali queer men who grew up in the pre-global, pre-Internet city of Calcutta in the 80s and 90s.
Our desire to connect is perhaps one of the human aspirations that both Sexuality and the Internet serve. And with the Internet we now have new ways, unthought of even twenty years ago, of connecting with each other, and even at times with ourselves, finding aspects of our selves that we did not know existed.