Bollywood
The discursive power vested in audio-visual media can prove to be emancipatory if it seeks to re-write the scripts of love, to expand it to include various subjectivities, disturb the patriarchal gendered dynamics that it is based on by introducing a story that allows the audience to imagine it in various different ways.
Recently, social media was abuzz with Robin Thicke’s “Blurred Lines”, a song and video that sparked many discussions on the…
Sexuality is taboo in our context, and expressions of it publicly or even in the home setting outside the bedroom, especially by those who are not in ‘legitimate’ relationships ‘alarm the modesty’ and are generally considered anti-culture or simply categorised as Western concepts.
Watch some popular Bollywood music videos about separated lovers across the decades.
Despite the progress made, Hindi cinema still faces challenges in accurately representing the diversity of LGBTQ+ experiences. Critiques have been raised regarding the tendency to prioritize cisgender, upper-class narratives.
Several recent mainstream Hindi films have dealt with issues of sexuality and gender not usually discussed in the intended audience’s drawing rooms.
What does Tanu Weds Manu Returns (2015) have in common with Perumal Murugan’s controversial book, One Part Woman (2013)? Stories on emasculation…
Attire and sexuality in the common imagination and approach as represented (and also as received) by the mainstream media tell us a lot about prevailing attitudes to both. Advertisements bombard us with all kinds of representations, negative and positive, of human sexuality, sexual expression and desire. In the creation and marketing of attire and fashion, there is a great awareness of sexual buy-in or rejection by the market – that’s us.
Note: Five sex workers – four women and one man – along with the filmmaker/narrator embark on a journey of storytelling. Shohini Ghosh’s Tales of the Night Fairies explores the power of collective organising and resistance while reflecting upon contemporary debates around sex work. The labyrinthine city of Kolkata (Calcutta) forms the backdrop for personal and musical journeys.
When representing sexuality, these stories went beyond dramatic and one-dimensional representations of sex and sexual orientation.
We decided to watch Animal and OMG 2 and found that both the movies bring up many of the issues that we work on.
This article explores how women are constructed as a ‘space’ manufactured by men to seek comfort, but void of having any active agency or participation in that space itself. I seek to bring this out in this article by drawing a parallel between the nineteenth century ‘Bharat Mata’ (Mother India) and the depiction of the twenty-first century ‘heroine’ in Bollywood movies.
The Dirty Picture, directed by Milan Luthria (2011) has ushered in various debates around sexuality through its representation of sexuality…
For many of us, it was fiction that fed our souls as children, and now as adults who are still ‘growing up’, it feeds us still. Fiction makes, remakes and unmakes us who walk in worlds of the imagination. It liberates us to dream various versions of ourselves and others into being as the articles in this month’s In Plainspeak eloquently reveal.
“Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how…