Body
Kakar talks about the divide between Ayurveda and modern medicine, Freudian psychoanalysis and Indian metaphysics, and the fault lines between colonialism, religion and sexuality.
“I was not a wanted child. Of course I am a girl, and that explains it. It’s like no one really cares if I exist. My brothers are useless, but they are everything to them(her parents). It’s not like he (her lover) needs me either; I still take food for him everyday.”
The simple truth is that my body and I are having an affair. We each obsess about the other, ask questions and desire each other so much, that it often borders on the shameless. My body is more in love with me, I suspect, than the other way around.
We are led to question what ‘safety’ really is: Will it be guaranteed by going gently, if at all, into that good night? Is it at all possible to freely and safely explore who we are and the world in which we live?
[slideshow_deploy id=’6158′] I remember the first time I learnt of menstruation as a ten year old. One of our friends…
This piece attempts to think about how bodies are produced and circulate in moving registers and discourses, chiefly around the question of representation.
The medical ward is often continuous with the world around it. One would like to think of it as an…
Our bodies become the form and medium through which we present ourselves to the outside world, engage with it, interact with it, perceive it and are perceived by it.
You should venture to read Emily Nagoski’s book, Come As You Are in public. Not because you want to make…
The story is so well told and is written with such a light, deft hand that it is almost easy to miss what makes it so quietly radical. To review it within the scope of exploring the coming together of literature and sexuality we must begin with its central cast of characters – the widows.
[slideshow_deploy id=’6065′] The following photographs question our notions of beauty and an ‘ideal’ body. Rahul Saharan shot a series of…
Taboos in relation to female desire, sexuality and the body are often addressed in my work. My recent artistic interest focuses on rituals that are primarily centred on agricultural communities in Bengal that involve the veneration of fertility symbols and celebration of feminine sexuality.
But what about the “moments we don’t Instagram”? What about the uglier parts of our physical lived realities? What about the parts of our body, our identities, our sexuality we don’t perform on social media, but are still an intrinsic part of who we are?
The misconceptions associated with the varied manifestations of femininity can be exceedingly deleterious and reinforce gender roles, traditional patriarchal ideas, and stereotypes related to bodies, expressions and the way we experience our sexual and romantic relationships.
“Every type of body is beautiful, and more importantly every type of body is different,” says artist Veer Mishra while describing Body, his series of illustrations. This ‘difference’ is the essence of what he tries to portray through his art.