A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
In my opinion, Ghosh was in search of a language of cinema which could be adequately expressive of queerness; he was slowly moving towards inventing that language, which would not be alienating to his conformist audiences, yet, would be intelligibly pleasurable to his (informed) queer viewers.
Taboos in relation to female desire, sexuality and the body are often addressed in my work. My recent artistic interest focuses on rituals that are primarily centred on agricultural communities in Bengal that involve the veneration of fertility symbols and celebration of feminine sexuality.
Scribbles: an Escape From the Mundane is a product of my thoughts and emotions when I was struggling to understand my sexuality and grappling with the idea of identifying with the spectrum of gender and sexuality outside the binary, but not being able to put a label on it.
Women’s bodies are considered as symbols of izzat and abru (honour and dignity) making it the woman’s responsibility to ‘protect’ her sexuality, while at the same time, her sexuality is controlled by patriarchs.
Body is born, as a collection of many parts, into the various collections of bodies. Different combinations or collections are projected onto various historical, spatial and temporal dimensions, out of our needs, desires and capabilities.
Artist Amanda Oleander’s paintings chronicles the everyday lives of couples and the various mundane things they do together that are simultaneously deeply intimate and poignant.
Every part of life, the world too, is storied. Stories are the thread that hold histories and truths together. Stories are at the core of myth-making. Everything that we know is part of multiple crisscrossing relational storylines that we raise and those that we have no power in raising.