A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
I wanted to be one of those people who decide to never date again and actually follow through. Indeed, I decided that a lot. A resolution that was broken so many times that it became a running joke in my head.
I would say that growing up in a small village would make it difficult to find love or companionship, but I have since moved to a city and found that it was difficult to find love there, too. It did not stop me from trying, though.
कभी कभी लगता है कि डेटिंग ऐप्स की यह दुनिया तनाव, परेशानी और द्वेष भाव से ओतप्रोत है, पर शायद यह पूरी तरह सच नहीं है। ज़िंदगी में दूसरी चीज़ों की तरह यह भी आपके धीरज की एक परीक्षा है।
Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.