A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
I’ve essentially thought of movement as a kind of freedom, but one that has the capacity to destabilise you in some way. My most creative moments are when I’m not moving, when I am in fact rooted and still.
But what has been amazing to witness is how quickly young women in particular, took to the ideas of Why Loiter? and pushed them even further, creating new movements to expand women’s rights to the public, including the right to be out late at night, to stretch the curfew at women’s hostels, to demand extended access to women’s toilets, to public transport etc.
The In Plainspeak team decided to time travel and re-discover previously published articles that explore the multiple ways in which people find joy and pleasure in their sexualities.
My body presented to me the first paradox in my feminism that I would encounter. How could I claim to be a feminist if I was not proud of the body I was born in? My advocacy as a sixth grader seemed to fail when it came to my own self.
In this write up, we’d like to share a sense of what emerges from a compilation of these responses. This is based on the thoughts and feelings that come through for those of us here at In Plainspeak who have had the joy of reading the original responses as they came in to us. (Some of the quotations that follow have been slightly edited for flow and to help connect themes.) We know that most things in the realm of art, information and ideas lend themselves to a wide range of inferences and insights depending on the individuals making the inferences.
To chase down our own vulnerabilities around sexuality is a short run around the corner, five minutes ago, last night sleeping alone, with a lover, a partner who lost interest, the Insta post that leaves you feeling you’re not good enough for the hug, the kiss, the cuddle and are you perhaps the A of LGBTQIA+?
The movie was criticised for its stereotypical portrayal of Debu as a gay man. But, the beauty is that it also highlights the reversal of gender roles. The smiles, and the laughter sounding throughout the house, create a cheery note in the movie.
In our mid-month issue, Stuti Tripathi considers whether raising the minimum age of marriage for women from 18 to 21years is indeed a one-stop solution to check early marriages. She brings to our attention the many factors, such as family pressure, inaccessible educational and financial resources, traditionally defined roles of women, and gender-based marginalisation that together lead to early marriages and argues that young people need rights not protection.
If feminism is about fighting for equality, then how can we ensure that our feminism is truly inclusive and equal? Does it feature only a certain kind of voice or experience, and not take into account the multiple axes of oppression that another group of people may face?
In our mid-month issue, Mahika Banerji describing herself as being ‘massively function-less’ and as having ‘no mobility’, takes us into her world, not a world of sob stories but one that holds promise of fulfillment…
केवल एक तरह से जीवन जीने, या अपनी यौनिकता को अनुभव करने से अधिक और भी बहुत कुछ होता है। इसके लिए ज़रूरी है कि पहले तो हम अपने मन में इसे स्वीकार करें और इसके लिए तैयार हों।
People make assumptions about both mobility and sexuality and quite often reduce them to a few simple, unidimensional concepts. Sexuality is reduced to sex, marriage and the gender binary. Mobility is reduced to ableist concepts of body and capacity, and access to, or the possession of, a vehicle to get from point A to B.
Jeeja Ghosh is a disability rights researcher and activist, feminist, parent, writer, scholar and trainer. Her lived experience of disability, and of standing up against discrimination and injustice, is at the core of her work and insights. Shikha Aleya interviews Jeeja about mobility across divides other than the physical.