A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Of course, I knew I wasn’t the only person in the world writing about Sherlock Holmes. I, however, thought I was the only one in the world writing about them like that. You know.
Romantically.
I gave myself the freedom to choose. And I chose to re-examine my assumptions. Maybe it was possible to ask strange men for directions without being afraid of seeming vulnerable. Maybe I could plan my outfit without bothering about the fact that I would be travelling on public transport.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
I find that my own clothes are all just pieces of a larger archive I’m slowly constructing: an archive of the women I love, a half-hearted attempt at mimicking what I love.
‘Is the future so dark?’ you might ask. I am here to tell you that it is not. As you begin your exploration into the world of queer theory and feminist theory, you will learn that the straightjacket version of sexuality cooked by our families was undercooked.
For me, pregnancy was a strange state of being so present and so aware of my body, while at the same time being separate from it. This experience really did a number on me during those nine months and during the postpartum period.
पारंपरिक जेन्डर भूमिकाओं ने हमेशा ही खेलों के स्वरूप को प्रभावित किया है। यह सच है कि एक ऐसी जगह में, जो विशेष रूप से पुरुषों के लिए ही बनी थी, धीरे धीरे महिलाओं के लिए स्वीकार्यता आई है, लेकिन इस स्वीकार्यता ने औरतों को स्वतंत्र रूप से ख़ुद को स्थापित करने के लिए बहुत कम जगह दी है।
From today’s vantage point I see that I missed an opportunity to use PT and sports in school as a way to get to know and move my body. This in turn held me back from viewing myself as a sexual being.
Looking back, it seems strange, almost sad that he couldn’t contain his anxiety, couldn’t bear the shame of what he did wrong. He must have skimmed over so much turmoil, that he couldn’t accept the reality of harming someone.
Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.