The movie Shubh Mangal Saavdhan was a commentary about perversions in our society – the denial of the truth about sexuality, that sex is normal, that sex could be just another physical need, that sometimes sex can be boring, that sometimes sex can frustrate.
Fouzia Azeem, more popularly known as Qandeel Baloch,was called Pakistan’s Kim Kardashian. Madiha Tahir, a journalist and filmmaker who is interviewed in the documentary,questions this comparison. To quote her: “She (Qandeel) is not Kim Kardashian at all. She is not famous for being rich. An upper-class woman would have her class protection and it’s unlikely that an upper-class woman would be supporting her family from these social media videos.”
akshay khanna, who is a social anthropologist and a political activist, weaves the narrative of how the Queer body came to be included into juridical registers of the State as a citizen-subject. The book is divided into six parts starting with an Introduction. The tone of the book is already set before the introduction to the contents, when it starts with the lines of the historic poem “Hum Dekhenge” written by Faiz Ahmed Faiz in 1979. The book is based on multi-sited doctoral fieldwork carried out by akshay between October 2005 and February 2007. The introduction starts with a discussion around India’s modernity, sexuality and ‘sexualness’, moving on to talk about men holding hands in India, and the curiosity with which it is viewed by Europeans and North Americans...
But whether you root for this couple or not, Little Things makes you think about the small things – like reading out a line from a book of poetry, sharing a friend’s WhatsApp message with your partner, forgetting to wash your dirty socks before they make the room stink – that make or break a relationship.
A woman can be more than something that just exists in a marital home, a woman can be more than just a beautiful body used as a mere decoration in the household. Isn't it high time we talked about the problems of the terminology used to define beauty and the association of it with sexuality if Chughtai tried doing this in 1941?