A digital magazine on sexuality in the Global South

Issue In Focus

picture of a flower in bloom

Issue in Focus: Sexual Rights

It may be useful to visualise sexual rights as a large tree with deep roots and a vast canopy of leaves. Or as a giant umbrella. Or a big tent. Whatever tickles your imagination and allows you to see it as a conceptual and practical tool to make claims for any aspect that relates to how we express sexuality.
Two men with beards face each other

The Examined Life of Masculinities  

The inability to correctly identify, express and soothe (all three without exception, and in no particular order) inner vulnerabilities and imperfections is the weakest link between asserting masculinities and being able to properly live their full potential.
a picture of the open road

Of Mobility, Ability and Identity

People make assumptions about both mobility and sexuality and quite often reduce them to a few simple, unidimensional concepts. Sexuality is reduced to sex, marriage and the gender binary. Mobility is reduced to ableist concepts of body and capacity, and access to, or the possession of, a vehicle to get from point A to B.
A group of people standing in a line at Mumbai's Marine Drive

On Old Questions that Remain Important

While some of these questions seem old, they continue to be renewed in public debate on competing claims to public spaces. Ideas about public and private spaces also speak to the ways in which caste and class shape ideas about respectability, thus marking some places as ‘safe’ and others as ‘risky’.
painting of a landscape showing a green meadow and blue sky

Issue in Focus: Knowing Sex

We might need, therefore, to uncouple sexuality from intimacy because they do not necessarily belong together. Intimacy points to the comfort of knowledge while sexuality often shatters what knowledge we think we have.
the script of love: still of a crying 'tulsi' from 'kyunki saas bhi kabhi bahu thi'

Issue in Focus: The Script of Love

The discursive power vested in audio-visual media can prove to be emancipatory if it seeks to re-write the scripts of love, to expand it to include various subjectivities, disturb the patriarchal gendered dynamics that it is based on by introducing a story that allows the audience to imagine it in various different ways.
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