A digital magazine on sexuality in the Global South

Author: TARSHI

an explosion of colours

Editorial: Human Rights and Sexuality

So while theoretically we should all have the right to make our own decisions about matters to do with our sexuality, have the right to sexual and reproductive health care, the right to love who we want to, and the right to be free from violence and discrimination based on our sexual choices, to name just a few sexual rights, even today many people do not have these rights.
Illustration of a boy sleeping

Editorial: Masculinities and Sexuality

In this mid-month issue we bring you some more interesting and intriguing articles on masculinities and sexuality starting with Mona Mishra’s thoughtful take on masculinities and vulnerabilities. Shikha Aleya interviews Daniel Mendonca who self-identifies as intersex and is a gender rights activist who engages with diverse groups of people in India and other countries to expand awareness, build empathy and foster an environment that is accepting of diversity.
a paneled doorway, with rose patterns on it

Editorial: Privacy and Sexuality

In our mid-month issue, we have Mamatha Karollil writing about how she asserted herself after an incident of privacy violation when a nude picture of herself was seen by someone from work without her consent, and how ripping through, or not getting into, the cocoon of shame and dishonour, can prevent much distress...
An abstract painting of various shapes on a canvas

Editorial: Mobility and Sexuality

In our mid-month issue, Mahika Banerji describing herself as being ‘massively function-less’ and as having ‘no mobility’, takes us into her world, not a world of sob stories but one that holds promise of fulfillment...
Picture of Namita Aavriti

Interview: Namita Aavriti

Namita Aavriti, writer, lawyer, feminist, and coordinator and editor for GenderIT.org, focuses on issues related to gender, ICT and internet rights. Namita is also the co-curator and organiser of the Bangalore Queer Film Festival (BQFF).
an image of abstract art

Editorial: Class and Sexuality

In our mid-month issue, Amit Timilsina writes about the role class plays in the decisions that young people make, and what he himself, as a young person and a youth leader, had to do to gain access to resources and to professional acceptance.
abstract art showing diversity of experiences

Editorial: Diversity and Sexuality

In our mid-month issue, we have the second part of the Shikha Aleya’s interview with six different people talking about aspects of sexuality and diversity from their own particular space of personal knowledge, as well as work, advocacy, art and activism across diverse fields.
a colourful abstract pattern - mxiture of blue, yellow, orange and green

Editorial: Public Space and Sexuality

In our mid-month issue Shilpa Phadke brings us an interesting mix of ideas woven from narratives of pleasure, danger, and resistance, among others, with regard to the digital streets of online spaces, and explores the conditions of possibility that will allow us to have fun in the online public space that is the Internet...
A series of colourful fabric on display

Editorial: Choice and Sexuality

Choices are also influenced by our milieu, by socio-cultural norms, by the laws and strictures that operate to regulate what we may and may not do. Lest this makes it seem that we are mere puppets triggered by internal whimsy and simultaneously constrained by external forces, our contributors show that this is not so.
An abstract image full of patterns of purples and yellow and pink and blue stripes

Editorial: Intimacy and Sexuality

In our mid-month issue, Rahul Sen writes of the impossibility of intimacy, of the gnawing pain and underlying cruelties it may unsheathe and how it is at best an illusion while Pavel reminds us of how, in our search for intimacy, we keep bits and parts of our lost loves and they keep parts of us, and how through being loved by them we learn also to love ourselves.

Editorial: Sex and Sexuality

Prisms cause rainbow effects because they refract light into its constituent colours. What this means is that the prism itself does not create the colours we see, but that they are already present in what appears to be colourless or ‘white’ light.
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